Known for

Olja Bećković is best known as the author and host of the political talk show “Utisak nedelje,” which since 1991 has moved from Studio B through B92 to Nova S. She is recognized for her direct interviewing style, the Legion of Honour, and the Jug Grizelj Award.

Who Is Olja Bećković?

Olja Bećković (born 1 May 1964 in Belgrade) is a Serbian journalist and television host who trained as an actress. She is best known as the author and host of the political talk show “Utisak nedelje” (“Impression of the Week”), which has aired, with interruptions, on several television channels since 1991. She is the daughter of the poet and academician Matija Bećković and Vera Pavladoljska.

Olja Bećković graduated in acting from the Faculty of Dramatic Arts in Belgrade, yet she built her career in journalism. Her direct style of questioning and her persistence in pursuing answers have made her one of the most recognizable faces on Serbian television. As a result, the show she created has repeatedly found itself at the center of political and media debates.

In this biography, we follow her path from a family in which poetry was part of everyday life, through her acting studies and first broadcasts on Studio B, to her many years at the television channel B92. We then describe the disputed break in 2014 and the show’s return in 2019, when “Utisak nedelje” reappeared on screens.

Early Life and Childhood

Olja Bećković was born on 1 May 1964 in Belgrade. According to available sources, her real name is Olivera. She has a twin sister, Ljudmila. She grew up in a writer’s family, as her father, Matija Bećković, is one of the best-known Serbian poets.

Matija Bećković was born on 29 November 1939 in Senta and has lived in Belgrade since 1960. He was elected a corresponding member of the Serbian Academy of Sciences and Arts in 1983 and a full member in 1991. Among his well-known works is the collection “Ćeraćemo se još.” Olja Bećković’s mother, Vera Pavladoljska, met Matija in Valjevo. The poem “Vera Pavladoljska,” published in 1960, was dedicated to her and remains among his most widely read verses. According to Wikipedia, the marriage lasted until Vera’s death in 1998.

Olja Bećković’s grandfather, Vuk Bećković, was an officer in the army of the Kingdom of Yugoslavia and was killed in 1945. Before the twin sisters were born, their parents lived as tenants, as biographical articles about her note.

A famous surname did not always make things easier for her. In one of her rare interviews, she said that for a long time people saw her above all as the daughter of a celebrated writer. She therefore had to prove that her success was the result of her own work.

Education

Olja Bećković took her first steps on stage in the “Krsmanac” acting section. She then enrolled at the Faculty of Dramatic Arts in Belgrade, in the acting department. She graduated in 1985, which several sources confirm, including Wikipedia and the eKapija portal.

According to the English Wikipedia, she trained as an actress until the age of twenty-five and only then moved fully into journalism. Her drama training stayed visible later on. Her precise diction, her sense of conversational rhythm, and her balance of tension and calm in the studio are often linked to her dramatic education.

Early Career

According to biographical sources, Olja Bećković has been professionally active since 1984. After her studies, she played several roles in domestic films, but acting did not become her main occupation. The sources do not give the exact titles of those roles, so they are not mentioned here.

In the early 1990s, she decided to dedicate herself to television journalism. That period was marked by the breakup of the SFR Yugoslavia, wars, sanctions, and hyperinflation. In such circumstances, political shows on independent television stations carried great weight. It was then that she began working at the Belgrade television station Studio B on the show that would define her entire professional path.

Rise to Fame: Utisak nedelje on Studio B

The show “Utisak nedelje” was launched in October 1991 on the then-independent television station Studio B. From the start, it was conceived as a weekly review of political events and a space for open discussion with public figures. Olja Bećković was the editor and host, and she soon became known for her direct questions.

The show usually had two to four guests. Its topics followed key events in Serbia and the former Yugoslavia: the breakup of the country, the wars in Croatia and in Bosnia and Herzegovina, United Nations sanctions, hyperinflation, internal political conflicts, and media freedom. Guests included representatives of the ruling Socialist Party of Serbia and of opposition parties such as the Serbian Renewal Movement. As a result, “Utisak nedelje” was one of the few places where opposing views were heard in direct debate.

Among the notable episodes from that period were a discussion on the emergence of private banking in Serbia in 1991 and an episode on 11 April 1993 devoted to the idea of “patriotic journalism” in wartime conditions. By preparing such topics, Olja Bećković built her reputation as a host who does not let guests avoid answering.

Leaving Studio B and Returning in 1997

The early period at Studio B was not simple. In 1991–1993, Studio B was exposed to political pressure and internal changes. After changes in management and disputes over editorial policy, Olja Bećković left the station on 5 October 1993, which ended the show’s first run there. Some sources give different years for her departure, so this date reflects the English Wikipedia.

The show returned in early 1997, after the opposition coalition “Zajedno” (“Together”) won the local elections in Belgrade in 1996. Olja Bećković again hosted the program, now with three to five guests. Among those who appeared were Vojislav Šešelj, Aleksandar Tijanić, Milan St. Protić, and Bora Đorđević. From 1997, the show was produced by the production company PG Mreža, headed by Zoran Ostojić and Lila Radonjić.

In late 1997, after the opposition coalition in Belgrade collapsed, the management of Studio B was replaced. The station came under the influence of the authorities, and “Utisak nedelje” was removed from the schedule. According to available data, the show then appeared on Studio B again in 2001 and 2002, before moving to another channel.

Utisak nedelje on Television B92

In 2002, the show moved to B92, a national broadcaster with a nationwide frequency, where it remained until 2014. Sources differ on the exact year of the move: eKapija and the English Wikipedia give 2002, while the Serbian Wikipedia gives 2003. The more frequently reported date is used here.

On B92, “Utisak nedelje” reached its peak popularity. It aired live on Sunday evenings at nine o’clock as a review of the previous week. There were usually three guests in the studio, though the number ranged from one to five depending on the topic. Prime ministers, ministers, opposition leaders, intellectuals, artists, and activists sat across from the same host.

Over two decades of work, Olja Bećković earned a reputation as a journalist who rarely gives interviews about herself but often conducts tough ones with others. Colleagues and viewers described her style as strict and sometimes impatient, but consistent. In one conversation, she voiced her opposition to bringing an audience into the studio, because she saw no good side to it other than the set design.

Conversations with Aleksandar Vučić in 2013 and 2014

The last season of the show on B92 began on 2 September 2013, when the only guest was then Prime Minister Ivica Dačić. Two months later, on 12 November 2013, First Deputy Prime Minister Aleksandar Vučić appeared on the show for the first time. The show was exceptionally broadcast on a Tuesday, because B92 was covering Novak Đoković‘s appearance at the ATP Finals in London. The conversation covered topics ranging from possible candidates for mayor of Belgrade to the South Stream energy project and the government’s policy toward tycoons, and it was tense.

Vučić returned to the show on 26 January 2014, ahead of the parliamentary elections. The guest was originally supposed to be the Minister of Economy, Saša Radulović, but he had resigned a day earlier. Vučić came instead. The conversation was sharp again. Vučić repeatedly claimed that the questions were biased, while Olja Bećković insisted on an explanation for calling the elections and for the minister’s resignation. In October 2014, Bećković publicly told her version of the events behind the scenes, describing pressure over the choice of guest. The other side did not describe those events in the same way.

Removal of the Show from B92 in 2014

In mid-September 2014, ahead of the start of the 24th season, the media reported that “Utisak nedelje” was leaving B92. The station’s management wanted the show to move to the cable channel B92 Info, while Olja Bećković and PG Mreža insisted on honoring the contract, which ran until March 2015, and on broadcasting on the channel with a national frequency.

The new season was scheduled to begin on 28 September. However, on 26 September, B92 announced that broadcasting was suspended “until further notice” due to disagreement. Olja Bećković responded that the show had not been suspended but banned, and that she had rejected an ultimatum, not an offer. The company Astonko, the majority owner of B92, rejected the claim that the show was banned and said that the interpretation of censorship was unfounded.

The reactions were numerous. The Democratic Party and the journalists’ associations UNS, NUNS, PROUNS, and SINOS condemned the decision, as did the European Federation of Journalists. On 28 September, about 200 people gathered in a silent protest in front of the B92 building in New Belgrade, among them politicians, artists, and journalists. Emir Kusturica publicly supported Bećković, while the journalist Goran Milić said he saw no censorship in this case. The team of the show “Insajder,” among them Brankica Stanković, asked that the show not be moved. On 2 October 2014, B92 stated that it had invested about two million euros in her over twelve years. Critics also reproached her for misunderstanding the business environment, while support and the assessment that this was political pressure remained on the other side.

Work at NIN Magazine and the Period Off Screen

After leaving B92, Olja Bećković did not disappear from public life. In April 2015, she was hired by the weekly magazine NIN for a monthly feature called “Interview of the Month.” Her first interview in that feature was with Slavoljub Đukić.

During this period, recognition also came from abroad. On 30 April 2015, at a ceremony at the embassy in Belgrade, France awarded her the Legion of Honour at the rank of Knight. French Ambassador Christine Moro explained the decoration by pointing to her exceptional professional path, courage, and fearlessness, adding that France was thereby honoring the journalistic profession as a whole.

The Return of Utisak nedelje in 2019

In early 2019, it was announced that “Utisak nedelje” would return to television screens. The decision was made by the company United Media and the channel Top Kanal. Olja Bećković said she had not even considered a comeback until a phone call a month earlier, and she described the decision as the creation of a new free zone in which authors can work without fear and censorship.

The show reappeared on Sunday evenings in April 2019, and in September of the same year a new season began on the television channel Nova S. The format remained familiar: several guests, the topic of the week, and a segment called “proposals,” on which viewers vote on the Nova.rs portal. According to available data from 2026, the show is now broadcast on N1, but this information comes from a single source and should be verified before publication.

Measurements by TVbeat showed that “Utisak nedelje,” “24 minuta sa Zoranom Kesićem,” and “Veče sa Ivanom Ivanovićem” were among the most-watched shows in their time slots among viewers of the SBB platform. The episode of 10 May 2020, featuring epidemiologists Predrag Kon and Zoran Radovanović and immunologist Srđa Janković, had an average audience share of 24.15 percent.

The “Hit tvit” Dispute

Olja Bećković also appeared in a legal case over copyright protection. She sued the television channel Pink, Željko Mitrović, Verica Bradić, and Goran Gmitrić, co-authors of the show “Hit tvit,” claiming that the show copied the format of “Utisak nedelje.” According to her, the show was registered as an authored work with the Copyright Agency in 1994.

In September 2021, in a first-instance ruling, the Higher Court in Belgrade found that the defendants had violated her copyright. Olja Bećković then said she hoped the ruling would discourage plagiarists. It is important to note that this was a first-instance ruling, and we did not find reliable information on its further course.

Greatest Achievements

Olja Bećković’s greatest achievement is the longevity of “Utisak nedelje.” The show has run for more than three decades and has passed through several television channels and several political eras. Almost all significant figures of the Serbian scene have appeared on it, and its format of three guests and a thematic focus has remained recognizable.

Her achievements can be seen through several points:

  • launching and hosting “Utisak nedelje” for years since 1991;
  • more than ten years of work on B92 with high viewership;
  • the Jug Grizelj Award for 2013, presented in March 2014;
  • the Legion of Honour at the rank of Knight, presented in 2015;
  • the successful return of the show in 2019 and high ratings on Nova S;
  • the first-instance ruling in the “Hit tvit” dispute in 2021.

Personal Life

Olja Bećković rarely talks about her private life. According to available data, in her late teens she was briefly married to the theater director Nenad Ilić. In the early 1990s, she married Vladimir Višnjić (1967–1999), known as Vlada Višnjić, and added his surname to hers. They have a son, Luka, born in 1994. Vladimir Višnjić died in 1999, at the age of 32. The sources do not state the circumstances of his death, so they are not mentioned here.

Her twin sister Ljudmila is part of her immediate family. Her father, the poet and academician Matija Bećković, has also remained present in public discussions of her work, and in 2014 he commented on the removal of “Utisak nedelje” from B92.

Interesting Facts

  • Olja Bećković’s real name is Olivera, and some sources also give the surname Bećković Višnjić.
  • She has a twin sister, Ljudmila.
  • She studied acting until the age of twenty-five and then moved to journalism.
  • Among colleagues, she is known for rarely giving interviews about herself.
  • The show “Utisak nedelje” was registered as an authored work in 1994.
  • The show usually airs live on Sunday evenings at nine o’clock.
  • Because of a coronavirus infection, Olja Bećković did not host the show on 6 February 2022, when the broadcast was skipped. She had a milder form of the illness.

Awards and Recognition

  • Conquest of Freedom (“Osvajanje slobode,” 2001), an award from the “Maja Tasić Maršićević” Fund;
  • Dušan Duda Timotijević (2007), an award from the magazine “TV Novosti”;
  • Jug Grizelj (award for 2013, presented in March 2014);
  • Legion of Honour at the rank of Knight (30 April 2015), presented by French Ambassador Christine Moro.

Legacy and Influence

Olja Bećković’s influence is seen above all in the format of political conversation that she introduced and sustained. “Utisak nedelje” became a benchmark for other political shows, as the court dispute over “Hit tvit” also shows. For part of the public, she is a symbol of independent journalism and of a reporter who does not back away from uncomfortable questions. Media freedom in Serbia, as in Teofil Pančić’s 2014 column, was often linked to her case.

On the other hand, there are also critical assessments. Some commentators, such as Ištvan Kaić in a piece for E-novine, judged her statements about 2014 to be unfounded. Since this is a political subject, this biography presents both sides without drawing a conclusion.

For younger generations of journalists, Olja Bećković’s path shows how a profession can be built over decades. Her example fuels discussion of copyright in formats, the influence of media owners, and the role of hosts in public debate.

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Last updated: November 5, 2026